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Published in Travel Oregon

Joseph, Oregon’s welcome billboard says it all: ‘This little town is heaven to us. Please don’t drive like hell through it.’ Joseph’s little slice of heaven is the kind that could only exist in eastern Oregon: made of equal parts rugged natural beauty courtesy of the Wallowa Mountains, small town charm (the Old Town Café’s hours are ‘6am-2-ish’), rich Nez Perce tribal history and an internationally renowned artist community and bronze foundries. A stroll down the cobblestone walkways of Main Street is a feast for the senses. Life-size bronze sculptures erupt from community-maintained flower boxes animating each street corner with western scenes—a cowboy and his dog, a mother horse and her foal, a Native American warrior on the hunt. It is clear that this is a town that celebrates art, beauty and its heritage.

Artists of many disciplines are clued in to this fact and have set up their homes and studios here. Artists on the Wallowa Valley Studio Tours—which includes Joseph and neighboring towns Enterprise and Wallowa—open their studios to anyone seeking one-of-a-kind pieces, master classes or a dose of inspiration. My self-designed tour includes three studio visits interspersed with a stop by the Chief Joseph Memorial, a tour of the Valley Bronze foundry, a stroll through Main Street art galleries and quick trips to nearby Wallowa Lake State Park to sit by the glacial-lake. Not bad for a 3-day escape from Portland.

Sculptor and master flute-maker Roger McGee is a bayou-boy from Louisiana who has found himself in the far-reaches of northeast Oregon making Native American flutes. His wife, Cherie, is a paper artist. They should be the poster-people for the adage, “Follow your bliss.” Together they work at their home studio, Wind Dancer Studio, with the joy and abandon of kids hard at work playing. Cheri uses upwards of 25 different kinds of scissors to varying effects and layers colored papers to create stunning collage-like prints. Roger uses sculpture and Native American tuning techniques to create one-of-a-kind flutes that can send your spirit soaring. Grammy-nominated artist R. Carlos Nakai and Grammy-award winner Mary Youngblood think so, too, choosing McGee’s custom flutes as their instruments.

Woodworker Charlie Mastro is a man who loves his tools. Correction: his Japanese tools. An afternoon with Mr. Mastro is a journey into the fine art of perfect detail with an education on the history of fine woodworking tools to boot (Japanese tools operate on the ‘pull’ stroke rather than the ‘push’ stroke allowing for more control and precision). You’re guaranteed to leave with a profound appreciation for joinery—how two pieces of wood are joined together—and awe for the beauty of wood finished by the hands of a master craftsman. If you call ahead of time, Mr. Mastro is happy to offer a class in woodworking techniques.

Jim and Anne Shelly’s Fire Works Pottery is a hobbit-like studio nestled into the woods en route to the Hurricane Creek trailhead just a few miles outside of downtown Joseph. It is a necessary stop. The husband and wife team are a bubbling fountain of creativity and a studio tour is a fascinating foray into the Shelley’s endless experimentation with technique. You will find functional pottery and more abstract pieces, as well as a spirited discussion of the merits of form versus function. Make sure to see their homemade kiln.

Stops on the Wallowa Valley Studio Tours are close enough to squeeze in a tour of the internationally-recognized Valley Bronze foundry as well hikes into the first-rate wilderness that surrounds Joseph. While on paper it may look like too-packed of a schedule for a short vacation, but the reality is a mind-opening and soul-nourishing adventure. For residents and visitors alike, Joseph is just plain good for the soul. 

P.S. The fantastic hosts at the Bronze Antler B&B make your visit complete!

 

Originally published in Travel Oregon magazine.

It is impossible to think of Oregon without thinking of trees. After all, 28 million acres—or 45 percent—of land in Oregon is classified as forestland.  Oregon’s state tree, the Douglas Fir, dominates the landscape along the 1-5 corridor and creates a magnificent backdrop in any season. Spiky, graceful giants are shrouded in mist during winter rains or stand in bold contrast to vibrant, blue skies in summer. Juniper and Pine in the east, Spruce-Hemlock in the west, Vine Maples dripping with moss and lichen laced in between, our trees are responsible for the tranquil beauty and that sweet, fresh air that surround you the moment you set foot here. Make sure to take a deep breath in.

The history of the state lives in the forest and our trees have many stories to tell. Checkerboard clearcut patterns tell the complex history of logging in Oregon. The timber industry has provided generations with living wages (75,000 Oregonians currently make a living from the forest) and 50 states and 40 countries with wood products. Vast swaths of State and National Forests tell of Oregonians’ love of rugged, natural beauty and their fever for outdoor recreation. And, Oregon is home to some of the nation’s oldest trees with old growth Douglas Fir stands that have at least 800 years of stories to tell to anyone who will take the time to listen.

The Oregon Travel Information Council has established the Heritage Tree Program that designates individual trees or groves of trees with statewide or national significance. Visits to these historical markers make great destinations or side trips en route to other places. They also offer a glimpse into Oregon’s heritage.

For example, there is a non-native Shagbark Hickory thriving in Milton-Freewater at the Frazier Farmstead, a historical farmhouse and museum listed on the National Register. The Frazier family carried the hickory nuts all the way from Texas on the Oregon Trail and planted them soon after the family settled the property in 1868.

 In the Willamette Mission State Park, the largest black cottonwood in the nation lives near the site of the Willamette Mission that was settled in 1834. The tree stands 155 feet tall and is estimated to be 265 years old.

The Tillamook State Forest is a story of destruction and hope. From 1933 to 1951, a series of four forest fires known as the “Tillamook Burn” ravaged 355,000 acres leaving a sea of blackened snags–or tree stumps—in its wake. Two-decades of reforestation by forestry workers and volunteers re-invigorated the region with 72 million seeds. Today, a heritage marker stands in a grove of Douglas Fir planted by school children some 70 years ago.

The Tillamook Forest Center stands next to the heritage grove and interactive exhibits offer visitors a chance to experience the history of Oregon forests from homesteading to modern forestry techniques.

But, there is no better way to experience Oregon trees than to climb one. For safety and preservation purposes, it is not recommended that you attempt this feat yourself, but The Pacific Tree Climbing Institute based in Eugene leads unforgettable climbs. Arborists by trade, the guides are sensitive to leaving a light-footprint and take small groups up into the trees for either day climbs or sleepovers in “treeboats”—canvas hammocks wrapped around the trunk at one end and affixed to a tree limb at the other.

Lulled to sleep by a gentle breeze, the hoot of owls and the rush of the Santiam River below, there’s truly no better place to be than up a tree in the forests of Oregon.

 

 

 

Authenticity is Now

Editor for Ziba Design’s provocative book Authenticity is Now.

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“When it comes to Authenticity, Ziba really gets it. You can feel that in its work, and you can see it in its book, Authenticity Is Now. I love every prescription in it, and encourage every reader to apply them. Even better: the book exemplifies these principles itself.”
  – B. Joseph Pine II, co-author, Authenticity: What Consumers Really Want
 

Ziba Design reveals the nature of authenticity in business in its new book Authenticity is Now: A working definition of the fluid state of being as it applies to business and design. Essays and a poignant pictorial narrative unearth the issues every company must consider when evaluating their commitment to being authentic: Why authenticity, why now?; What are four components of authenticity? Is authenticity in the eye of the beholder? Does authenticity get lost in translation? Authenticity is Now is an essential handbook for any company intending to be relevant in the global marketplace today.

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