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Tree Geeks

Brian French and Will Koomjian are certified tree geeks. Beyond the arborist certification from the International Society of Arboriculture that allows them to care for the trees in your yard, they each have a passion for trees that runs so deeply, one suspects they might be carriers of a rare tree gene. Trees are that essential to their being. They speak Tree Latin: Pseudotsuga menziesii often stands in for Douglas Fir in everyday conversation, Thuja plicata for Western Red Cedar. They argue about the origin of species. When asked about the decline of the Baker Cypress, Cupressus bakeri, the discussion went like this:

Writer: [Whole groves have been lost since] the tree was discovered in the 1940s?

French: Yeah.

Koomjian: No, no, no. Since this species was discovered.

French: Yeah. That was in the 1940s.

Koomjian: (talking over French) No it wasn’t. No it wasn’t.

French: Yes it was. Oliver Matthews discovered the species.

Koomjian: No. (now rolling his eyes) Oliver Matthews did not discover the species. He discovered that tree in that grove. The species was discovered in the 19th century.

French: I thought it was Matthews who got it.

Koomjian: No. That was the sub-species.

French: Oh, yeah, Right, right. Sorry about that.

Koomjian: We’re not talking about the sub-species. We’re talking about the whole species. And there are nine groves of the entire species.

Koomjian even sports a tree tattoo on his left, upper arm. Thuja plicata, Western Red Cedar. It is the image of a dead trunk. Apparently, as cedars age, the center treetop dies and shoots new tops off the old trunk creating a candelabra effect. Koomjian climbed a ‘total freak tree’ in the Olympic Peninsula in Washington that grew on the top of a hill instead of in swampy, bottomland areas where Thuja plicata prefer. This tree is one of the largest Thuja plicata in the world and is close to 500-years younger than any of the other giant, old trees of that species. Koomjian climbed a hemlock that grew out of the base of the main tree and then swung himself over into the tallest stem in the canopy of the cedar and there he saw it: the dead trunk that to him was as beautiful as a Van Gough painting.

Twenty-somethings French and Koomjian often find themselves in big—no, giant —trees regularly and it is not just because of their arborist day job. In 2007, it occurred to them that their tree climbing skills would allow them to venture into worlds that no one ever sees—the canopies of the biggest trees of each species, known as champion trees. They decided to explore the vertical unknown to discover the measurements, habitats and mysteries of these ancient organisms so others could experience their wonder. And besides, it would be a very cool thing to do.

Ascending the Giants was born. Since French and Koomjian’s first big tree climb in a Western Red Cedar, Thuja plicata, in the Mt. Hood National Forest, the Portland, Oregon-based, volunteer-run organization has measured over 100 trees, recording 38 national champions and 15 future champions in Oregon, California, Montana, Washington and Vancouver Island, B.C. Incidentally, they also happened to discover the active nests of both the marbled murrelet (considered endangered) and the elusive red tree vole (considered threatened) and a pair of clouded salamanders at a record-breaking height of 250’ in a 257’ tall Douglas Fir, Pseudotsuga menziesii.

Tree Geeks, Pt. 2: Climbing Big Trees, Pt. 3, Pt. 4

Pt. 1, Pt. 3, Pt. 4

Champion trees are the largest of their species worldwide. That doesn’t always mean that they are the biggest trees around. In fact, it is rare for a tree to reach above 150 feet. Ascending the Giants has climbed many champions that aren’t especially big. Then again, they have climbed many trees that are gigantic.

Big trees are natural candidates for champion status and French and Koomjian will often climb them to determine if they are, in fact, champions. Climbing big trees is nothing like swinging yourself up on the lowest branch of your backyard oak and enjoying the perspective of the garden from ten feet up. It is nothing like that. At all.

First, add 150 to 250 feet (read fifteen to twenty-five stories) to the height of that oak, depending on the tree to be climbed. Second, add the inchworm-style climb up the hundred-plus-foot giant on the rope that is rigged to a branch. Third, add all the gear that is needed to properly climb the tree without leaving a trace. ATG is adamant about using non-invasive methods of ascending trees in their attempt to leave each tree exactly as they found it.

Gear includes: a six-to-eight-foot long sling shot known as a Big Shot that shoots a tiny weighted pouch connected to fishing line to set the first rope over the highest possible branch; if that doesn’t work, there is the crossbow attached to a fishing reel that shoots a steel bolt high into the tree for the same reason; there are lots of reels, lots of fishing line, lots of throw balls and bolts because sometimes it takes a few tries to set the first line securely; hundreds of feet of throw line are needed to hoist up and over the first branch; next is the access line—a ten-millimeter wide static rope used for the initial climb into the tree; after the access line has been anchored, there are shorter climbing ropes that allow climbers to maneuver through the canopy; there is a cambium saver that sits between a rope and a branch so that the rope never rubs on the branch as it is climbed; a harness, carabineers and pulleys; and the measurement tools that include measuring tape, a GPS locator and a ten-foot-long, telescoping reach tool used to measure the tip top of the tree. All of this gear collectively weighs hundreds of pounds and climbers can feel like pack mules hauling it on their backs while bush whacking in search of giants.

Another factor that makes climbing big trees somewhat different than your average backyard adventure is the weather. For example, everyone knows that it rains in ATG’s home state of Oregon, but weather can go from sprinkles to a wind-whipping storm and back again in the course of half an hour. On one expedition to count the number of big trees in one specific area, the spitting rain had not let up all day. French and volunteer climber Jason Brown are climbing a majestic Douglas Fir, Pseudotsuga menziesii that stands 268-feet tall and measures almost nine feet in diameter in a remote old-growth forest. They ascend their ropes toward the upper canopy of the great-granddaddy tree estimated to be over 500-years-old. It takes one hour to climb 200 feet.

The rain relents a little, but French notices a knot of black clouds and a wind traveling toward him like an ocean wave on a sea of blue-green needles across the forest. “Check it out!” French yells to Brown and points to the oncoming storm blast, but already his voice is getting lost in the thunder of thrashing branches.

French secures himself to a solid limb and feels the deep groan of the giant bending to the wind. The treetop to which their ropes are tethered will sway as much as ten feet in either direction and they will sway with it. It’s like rocking on the Titanic before it tips. Unable to secure himself in time, Brown dangles from his climbing rope as it glides in long arcs and he holds on like a tiny spider whose web-making has been interrupted by the elements. It would be reasonable to want to return to the ground, but both men have secretly given in to what feels like the inevitable choice. Eyes round with Evil-Kenevil-derring-do, French yells to Brown, “Are you committed?” Brown lets out a whoop and yells back, “Let’s do it!” and the two men inch their way through the storm to the tenuous top to get their height measurement.

Dead or dying branches known as ‘widow-makers’ can unexpectedly snap and shoot like humongous javelins to the ground grabbing a tangle of other branches as they hurtle downward. Or, like in the Western Red Cedar, Thuja plicata, the tops of old giants can die. Some tops are then blown off in a storm, like the one French and Brown were climbing in. One cannot always tell from the ground if a top is ready to blow.

There was one giant that ATG planned to climb, but when they arrived at the tree they found that it was in a precarious state. A Sitka Spruce, Picea sitchensis, on Rector Ridge in the Oregon Coast Range lost its top which impaled itself in the ground over 100-feet away. The tree once stood 187-feet tall, but when ATG visited after the incident, they found that the tree now measured 111-feet tall (which they determined by climbing a neighbor tree). The erect, inverted treetop measured 55-feet leaving 21-feet of tree unaccounted for. French estimates some of that was smashed to bits on impact and the rest of the treetop was jammed deep into the earth making its own monument to itself.

No one wants to be attached to a treetop when it blows off.

French and Brown both privately considered possibilities such as these during their climb, but the chance to intimately know that grand-daddy tree was far more alluring than the outside chance of limb failure, even with winds upwards of 30 mile-per-hour. Such is the call of trees for some.

Needless to say, should you suspect that you have a big champion tree in your backyard, do not try this at home. Call the big tree guys.

Pt. 1, Tree Geeks, Pt. 3: The National Registry of Big Trees, Pt. 4

Pt. 1, Pt. 2, Pt. 4

Before there were national or state forests, forest schools or professional foresters, a tiny group of forest-lovers started the American Forestry Association in 1875 and, according to the group’s website AmericanForests.org, the conservancy movement was inaugurated. The group eventually changed its name to American Forests and has been instrumental in countless works of public education, forest advocacy and eco-tourism, like the Trail Riders of the Wilderness tour that launched its first horseback excursion in 1933 to Montana. The Flathead National Forest trip cost $43.75 for 6 days.

In 1940, the National Register of Big Trees was established. There are currently 733 champions and co-champions, 38 of which were measured by Ascending the Giants. The register on the American Forests website is chock full of fun facts like: there are 189 species without national champions, there are six states without champions (Delaware, Hawaii, North Dakota, Oklahoma, Rhode Island, Wyoming) and the General Sherman Sequoia, Sequoiadendron giganteum, in Sequoia National Park in California is the world’s biggest tree and largest living thing standing 274.9 feet tall and 33 feet wide.

Every state has a big tree registry. When ATG contacted Oregon’s registry managed by the National Center for Conservation Science and Policy in Ashland, there was cause for celebration all round. The registry had languished at the agency due to budgetary constraints and the folks at NCCSP were thrilled that ATG wanted to contribute the findings from their first few climbs. French and Koomjian were equally thrilled when a list of Oregon’s previous national and state champions was passed on to them to update. The information included dates when the trees were last measured (most hadn’t been updated since the 1970s), the general location of each champion and all of the nomination forms and correspondence regarding the biggest trees in the state. Bingo. French and Koomjian became the go-to guys of big tree measuring in Oregon.

Champion trees are measured using the American Forests points system (AF points) which is calculated from the trunk circumference (measured in inches), the height (measured to the nearest foot) and the average crown spread, which is the length (measured in feet) of the greatest distance between any two points along the outermost leaves of the tree. Trunk Circumference + Height + Average Crown Spread = Total Points. The General Sherman Sequoia, for example, is 1,321 points.

Anyone can nominate a tree by sending a nomination form in to the state registry or the National Register of Big Trees. Once the nomination is received, fieldwork begins to confirm the tree’s size before it can be declared a champion. Big tree lovers are serious about their champions. ‘Dethroning’ a champion, for example, can be sticky business. People have been known to be very protective and if a new tree becomes a contender for the title, passionate groups have insisted on objective verification.

There is also heartbreak when a beloved tree falls. The 856-point Klootchy Creek Sitka Spruce, Picea sitchensi, was estimated to be approximately 750-years-old and had woven itself into the soul and history of Oregon. It was the first official Oregon Heritage Tree and the largest in the state. Over 100,000 people a year visited the tree that grew near the coast 65 miles outside of Portland. In its day, the Klootchy Creek spruce had been involved in what the press liked to call the “Sitka-Spruce Slug-out” which was a controversy over champion status with the Lake Quinault Sitka in Washington. Each state promotes their rationale for why their tree wins.

On December 2, 2007, however, there was a dramatic storm that pounded the Oregon coast with horizontal rains and violent, 130-mile-per-hour winds that ripped open an old lightening wound scar in the trunk and tore the Klootchy Creek spruce in half. The national news media picked up the story and word traveled fast. It was a profound, even emotional, loss. The ancient being had fallen. French and Koomjian wanted to honor the Klootchy Creek spruce by searching out and nominating Oregon’s next champion.

On December 22, permit in hand, ATG headed out to the Cape Meares State Scenic Viewpoint and National Wildlife Refuge on the coast about an hour south of Klootchy Creek. The ATG crew included French, Koomjian, photographer Sean O’Connor, videographer John Waller and condor researcher David Moen who was brought along to investigate trees with blown out tops that could serve as habitats for the pre-historic birds.

When they stepped out of the car, however, they were amazed by the devastation that surrounded them. The December 2nd storm wreaked havoc on the entire region. The trail was destroyed. Trees had fallen across the path like matchsticks and several lay with their root balls torn up from the earth. The skies were threatening and the crew debated calling off the climb altogether, but chose instead to ignore the increasing wind and rain.

With all the downed trees blocking the way, the five men had to take turns clearing branches, hoisting themselves onto the fallen logs and then passing the piles of heavy gear to one another before jumping down and repeating the process until they eventually made it to the Cape Meares Sitka Spruce, also known as the Cape Meares Giant.

The massive Sitka Spruce, Picea sitchensis, showed all the hallmarks of coastal life: vigorous growth and numerous breakouts. Its signature feature, a massive ‘arm’ that is attached almost halfway up, had its top half blown out in the same windstorm that took out the Klootchy Creek tree. The resulting structure was remarkably stout, and, because of this, appeared much shorter than its actual height of 144 feet.

The weather was getting worse and winds were whipping up to 40 miles-per-hour. Fat raindrops blew sideways making it hard to see. The crew could work, but as far as climbing a tree of that size, it was unsafe. 60-foot, dead branches were swinging back and forth from high inside the canopy. Deadwood in old trees becomes almost petrified with age since the grain has knitted so tightly. A falling branch would destroy everything in its path.

It had taken so much work to get to the tree and, they reasoned, if they didn’t climb that tree then, it probably wouldn’t happen. So, French, Koomjian and videographer Waller climbed, the latter with camera in tow. As they approached the top of the tree, each climber had to negotiate his way around the many large, hanging branches that had broken off of the top in the last few years. They could see that there was an extensive rot column in the main trunk compromising the branch collars. This caused the top to shed those branches, taking large strips of trunk wood with them. The center of the trunk was so decayed that French was able to stand up inside the top of the tree to take the height measurement. 144-feet. A new state champion.

As they reached the top of the Cape Meares Giant, the skies suddenly cleared and there was only dripping from the branches, sunshine spreading across the treetops and the vast Pacific Ocean spreading out as far as the eye could see.

Pt. 1,  Pt. 2,  Tree Geeks, Pt. 4: Finding Champions

Pt. 1, Pt. 2, Pt. 3

French and Koomjian know a champion when they see one. By the time they arrive at a champion tree, they have thoroughly researched the species, have most likely climbed that species a few times already and have a pretty good sense of what to expect. However, nothing completely prepares them for the moment when they first lay their eyes on one.

They usually have to hunt for the tree. In many cases, it has not been documented in forty years, so no one knows for sure if it is alive or dead or where, exactly, it is. It can take hours to find. But when they do, they know it immediately. There is the heart-pounding, deep breath, moment of awe and then wild running around.

French describes it this way, “You see it and you know that’s it. You run up to it and you yell, ‘Oh my god.’ Every time. ‘Oh my god. Holy s**t. F**k.’ Every word you can think of. ‘This is it! Oh my god! Whoa!’ That response has never changed.”

For Koomjian, the feeling is similar. “When you see that champion you finally know what that species is capable of. It is an astounding experience. We spend a good thirty minutes running around yelling, ‘Oh my god! Look at that! Dude! Did you see this?’ pointing out all the unique features of the tree.”

And then they climb. And, if they can, they spend all day soaking in the wonder.

Talking with French and Koomjian about trees is an odyssey. They are packed with stories and tree facts. They alternately argue with the tenacity, familiarity and generosity of an old married couple and then can wax poetic about these magnificent creatures.

Koomjian’s favorite tree fact is this: According to the father of modern arboriculture, Alex Shigo, 95% of the sun’s energy that hits the earth is not absorbed by anything. But, 50% of the energy that is absorbed is absorbed by trees. The rest is split up among everything else. Trees are the number one producer of life-sustaining energy on the planet.

French’s favorite tree fact is this: C.O.D.I.T.—the compartmentalization of decay in trees. When you inflict a wound on a tree, there are walls set up to close off those areas. A vertical, inside and radial wall each chemically close off the area to stop further pathogens from entering. The 4th wall, called the ‘glass’ wall, is also called the healing wall. It closes off the area creating a ‘compartment’ that the rest of the tree then grows around. French loves the fact that every part of every cell of a tree is set up to defend itself against the outside world.

Every champion tree is uniquely remarkable because it has cultivated one-of-a-kind techniques for surviving in the world for as long as it has. The Baker Cypress, Cupressus bakeri, is an especially fascinating species. First, it is a very rare tree. There are only nine stands of these trees in the world and they are all in the Siskiyou mountains in Southern Oregon and Northern California. It is a slow-growing, small conifer that reaches approximately 100-feet tall. It grows on serpentine soils atop old lava flows that other trees in the area, like Grand Fir, Abies grandis, and Sugar Pine, Pinus lambertiana, find very unwelcoming. That’s what gives the Baker Cypress it’s niche. French and Koomjian debated the species’ status:

French: It is listed as near-threatened.

Koomjian: No, it’s…

French: Wait, no, it’s endangered.

Koomjian: No, it’s vulnerable which is between near-threatened and endangered.

French: No, it is near-threatened.

Koojian: No, I’m pretty sure it is vulnerable.

French: Alright.

(pause)

Koomjian: I mean, you could look it up, but….

French: OK. (to writer) Look up Baker Cypress.

The conservation status is ‘vulnerable.’ It is generally accepted that climate change is going to whack the Baker Cypress, Cupressus bakeri, because it is such a niche-species. If its niche changes, it doesn’t have anywhere to go. It is already exceptionally rare. Wikipedia states that it is one of the rarest trees in North America, including Mexico.

French and Koomjian jumped at the chance to measure the champion, which was last measured in 1976. Rumor had it that the original champion had fallen, but no one knew for sure. On Thanksgiving day, 2007, French, Koomjian, O’Connor and Waller packed up for a weekend expedition that included measuring three additional trees on the way to the Baker Cypress, Cupressus bakeri. Incidentally, just before leaving, they received word that one of the trees on their list, the national champion Sitka Mountain Ash, Sorbus sitchensis, that they had intended to re-measure and update on the registry, had been unknowingly cut down for firewood.

An unexpected snow fell in the Siskiyous just north of the California border. The crew arrived in the evening, set up camp along a forest service road and ice collected on the bottom of their tree boats—hammocks made for sleeping in trees—as they slept. In the morning, after navigating a washed-out bridge, they continued up into the mountains. Old records indicated that the champion was located in a watershed and the crew split up to find it. Sun peeked through the morning quiet of the snow-covered trees. After a few hours of traversing the slippery mountainside, there was no champion in sight.  Everyone was frustrated and worried that it might not be found. French re-traced his steps up a steep slope and came upon a giant, fallen tree. It was the one. The snow-covered, sun-bleached, gnarled champion had fallen perhaps decades before.

Having come such a long way, it seemed a waste to leave now. Besides, they were standing in and around the few rare groves of Baker Cypress, Cupressus bakeri, that existed in the entire world. The crew did what is natural to them: search for a new champion. They knew that the old champion was the only listing in Oregon and that the California champion (the only other state where Baker Cypress is found) had relatively small dimensions. It was clear that when they found it, ATG would likely be nominating the new national champion.

The grove they explored was shaped like a thin ribbon running down the ridge on top of the old lava flow. After walking from one end of the grove to the other, they returned to a tree which was the largest tree in the grove. Due to the delicate nature of the species’ bark, it was decided that only one person should climb the tree to reduce impact. Koomjian shimmied up and measured 96-feet tall. Easily the new national champion.

Even though French and Koomjian are packed with forest facts and stories as wild as the trees they measure are tall, they can’t seem to get enough. For it doesn’t matter how much they know, they will always be exploring when they meet a new champion.  In early 2009, Will Koomjian set off on his own dime to continue tree measuring in Indonesia. French will keep ATG measuring in the States until his partner returns within the year. After all, there are still 189 species with no known champion.

Recently, when debating whether humans or trees were more complex beings, French and Koomjian agreed that it was an apples and oranges comparison, but one could make the case that a tree is more complex.

Koomjian said, “You could make the case for a tree when you consider everything that has ever happened in its entire life is still a part of that tree. General Sherman has 2300-years of cells and their responses to thousands of external and internal organisms inside the trunk. Humans get rid of cells. We’re constantly shedding. We don’t have skin cells that are more than a few months old. Some trees have cells in their bodies that are 2000 years old—2000 years of reacting to the world outside. So, I think you could definitely make the case that trees are sufficiently complex.”

French added, “Think about it, with 45,000 square feet of living tissue, we are nothing compared to that.”

Together, they sat in the moment of silence considering the possibility.

Pt. 1, Pt. 2, Pt. 3

A Forest is Forever

Published in Ode magazine, April 2009

If a tree falls in a sustainably managed forest, does it have market value? Peter and Pam Hayes would like the answer to be an unequivocal “yes.” The Hayes manage Hyla Woods, an 800-acre, family-owned forest in the northern Oregon Coast Range that produces sustainably managed timber certified by the Forest Stewardship Council. Their goal is to create an ecologically complex, economically viable, responsibly operated forest. Noble pursuits such as these often get tripped up by the “economically viable” part. But borrowing some lessons from agriculture’s success in engaging local communities, the couple thinks it can make the woods work.

As a fifth-generation Oregonian whose family has always had a hand in the logging industry, Peter Hayes is familiar with the traditional business model. Many forest owners have simplified their land into industrial plantations of single species such as, say, Douglas fir. Homogenizing the landscape in this way increases profitability because it’s cheaper to clear-cut a uniform plot than to log an area with lots of different species. Clear-cutting may increase profit in the short term, but the Hayes believe a forest with multiple species and trees of many ages is a better long-term investment. A diversified plot is more resilient, produces better-quality wood and can sustain production for generations

The Hayes knew there was a demand for their FSC-certified wood, but finding a mill to manage FSC logs separately was close to impossible. So, the forestry duo got creative about ways to get their logs directly into the hands of end users. First, Hyla Woods began operating its own mill three years ago. Then, they borrowed farming’s community-supported agriculture (CSA) model to create a community-connected forest (CCF). A CSA invites locals to buy shares in the farm in exchange for a regular produce delivery. The CCF allows locals to help maintain the forest and get first dibs on firewood and FSC-certified wood products. In addition, through the Build Local Alliance and Forest Partners program, builders and foresters work closely to sustain each other’s businesses. Hyla Woods supplies FSC-certified materials to local contractors and furniture makers who reciprocate by committing to build green and buy local. So far, this symbiosis is paying off, despite the recession. The community-connected aspects of the Hyla Woods business are holding up far better than the mainstream commodity wood market. And now, when a tree falls in Hyla Woods, the Hayes know exactly which floor, chair, or fireplace it will end up in.

(Published in Travel Oregon magazine)

Celebrating 150 years of the Oregon spirit

For as long as there has been an Oregon territory, there has existed a spirit unique to the people that choose to call Oregon home. Many hyphenated words come to mind: die-hard, nature-loving, independent-minded, do-it-yourselfers who are salt-of-the-earth, fun-loving, free-spirits who tend to make-it-up-as-we-go. This particular concoction of personality traits is responsible for impossible visions, like picturing a world-class running shoe made with rubber and a waffle iron (Nike) and having a hunch that the world’s most fickle grape just might make it in our hills (Pinot Noir). Judge Jessie Quinn Thornton was right on the money when he wrote the state motto and then translated it into Latin for the territorial seal in 1854: Alis volat Propriis, ‘She flies with her own wings.’

On this 150th anniversary of statehood, let us introduce you to a few Oregonians who soar:

Roberta “Bobbie” Conner – Culture Preserver and Director, Tamastslikt Cultural Institute

Bobbie Conner has driven most of the western United States, moving for work with a dog or a horse or both, but it is the expansiveness of Eastern Oregon where she feels ‘home.’ She loves that there is still room to roam the land for miles surrounding the town of Pendleton where she was born and raised. Conner took a hiatus for college and her early career, but returned home to be the Director of the Tamastslikt Cultural Institute eleven years ago.

But, it is not just her connection to the land that makes Eastern Oregon home; it was also home for her mother, her grandmother and her great-grandmother. In fact, Conner’s lineage goes back thousands of years along the lower Columbia River. Conner’s ancestry is Umatilla, Cayuse and Nez Perce Indian with a dash of Scotch-Irish (hence, her surname).

Conner took for granted that everyone knew their lineage. Growing up, she was surrounded by her extended family (she has 36 first cousins) known as a ‘kinship’ system that passes Native cultural traditions and oral history from elders to children. It was only when she left for college that she realized that her connection to the Native people and land of Eastern Oregon was truly unique.

It was also when she understood that no one had heard the story of her tribal people. “There were the stereotypes of Indians circling wagons on the Oregon Trail, but that’s not exactly how things happened here,” she says. No one knew the stories of the hospitality and generosity, taking care of the early travelers with meager means or the ways in which the tribes had inhabited the abundant landscape for thousands of years. It is these stories that Conner now devotes her life to telling as the Director of the Tamástslikt Cultural Institute in Pendelton (Tamástslikt means turn, translate or interpret in Wallulapum, the native language of the Walla Walla Indians).

Conner is very busy. Tamástslikt welcomes 30,000 visitors a year. The Institute has hosted 178 public programs, 51 temporary exhibits in ten years and maintains permanent exhibits and collections of Native artifacts. Then, there is the involvement in the tribal history book, As Days Go By, the tribal place-names atlas to be released in 2009 and a regional oral history driving tour available on CD to name but a few Tamastslikt projects. Conner also serves on three boards, writes and speaks nationally about cultural preservation. 

While proud, Conner takes a humble view of what she has achieved. “Not all the accomplishments are the kind that make headlines,” she says. Another sense of accomplishment comes from the fact that the Confederated Tribes of the Umatilla have provided a homeland, jobs, stability and the continuity of their culture that was at risk of being lost. Young families have the chance to raise their children to know their language, customs and ‘kinship.’ This is the real accomplishment for Bobbie Conner: building the legacy of her homeland and her people that will be celebrated for decades to come.

Johnny Sundstrom – Forest and Salmon Saver – Director, The Siuslaw Institute

When Johnny Sundstrom talks about the Siuslaw National Forest and surrounding land that lies like a 630-thousand-acre strip running from Tillamook to Coos Bay, he can wax poetic. Describing the yearly return of salmon to spawn, he first laughs and says, “The biggest Chinook come first in the lowest water. They need a bicycle or a pogo stick to get up here!” Then, he reverently describes the tremendous beauty of the ritual and how it has influenced him. “I wanted to make sure I could always have that in my life.”

In the 1980s, the salmon population was approximately 4% of what had been recorded in historical documents. A variety of factors contributed to this decline, including rigorous logging. For example, enough timber had been harvested on federal land near his home in the tiny town of Deadwood from 1960 to 1990 to build a walkway to the moon.  When Sundstrom recognized that the salmon were threatened, he knew he had to take action.

Action for Sundstrom has included involvement with his conservation district at the local, regional and national level. In 1994, he founded the Siuslaw Institute, a natural resource management non-profit that serves as the glue between federal, state, and local agencies and land owners. Sundstrom recognized that these parties rarely talked to each other to resolve natural resource problems that effected the entire region. If they did talk, they often came to the table with divergent interests. Environmentalists and loggers, for example, are notorious for emotionally-charged conflicts that tend to end up in court.

Sundstrom has made an art of navigating this type of complexity.  In 2000, Congress instituted stewardship contracting to encourage collections of individuals and organizations to work with the Forest Service and Bureau of Land Management on forest restoration that served the local community. The Siuslaw Stewardship Group was the pilot program and Sundstrom was one of the original members.

The group focused on practices like forest thinning rather than clear cutting and then re-invested timber sales back into local restoration projects. The Siuslaw National Forest has come to be known by some as the ‘profit-making, litigation-free forest.’ With 94% of the forest designated for habitat preservation, the group has met and exceeded their timber production target for the last ten years. Not to mention, preserved one of Oregon’s prized forests.

Sundstrom and the Siusalw Institute, as part of another coalition of agencies, also earned the prestigious International Theiss Riverprize for the Siuslaw River Basin Restoration in 2004.

Sundstrom’s secret to navigating the complex terrain of natural resource management? He is the guy who can translate federal-speak to into local language and vice-versa. “If you want somebody who can talk to a landowner about erosion or tree planting, they better be able to talk about the track coach and whether or not we should fire the sun-of-a-gun or not. That’s what allows people to feel you care about them,” he explains. “It’s around the kitchen table or the back of the pick-up where reality meets government. That’s what I do.”

 

Susan Sokol Blosser – Pinot Noir Pioneer and Founder, Sokol Blosser Winery

Susan Sokol Blosser knows how the winds of change can whip through a life. She laughs when she remembers herself in a debutante gown with elegant gloves at the tender age of eighteen and then a decade or so later wearing overalls and driving a tractor.

Founding and running a vineyard and winery had not originally been in the plans for Sokol Blosser, but who needs plans when you’ve got instincts, a VW bus and the gumption of a kid in their twenties? These were the seeds that started the Sokol Blosser Winery in 1970 which has since grown into an internationally-acclaimed, LEED-certified winery that helped establish Oregon as a world-class wine region.

Susan and Bill Sokol Blosser were recent liberal arts grads married just four years when Bill got the idea to grow grapes. The big question was whether it should happen in California or Oregon. Bill Blosser started teaching urban planning at Portland State University and the couple began their research that included visits to the rural hills of the Willamette Valley outside of Portland. It was on one of these trips that they learned of a handful of others who had recently had a similar instinct: David Lett, Dick Erath, Dick and Nancy Ponzi. The collective hunch was that the fickle Pinot Noir grape could thrive in Oregon’s mild climate. The young couple purchased eighteen acres in the Dundee Hills for $800 an acre five months after the idea popped up. Two weeks later, the Sokol Blossers also gave birth to their first son and, between the two newborns, their life was forever changed.

The entire wine industry could fit into any one of the enterprising vintners’ living rooms in the early days as they discussed the right way to trellis or how far apart to plant vines. Sokol Blosser spent the bulk of the 1970s raising three children, teaching American History at a local college periodically and assisting her husband at the winery. Over the next two decades, Sokol Blosser continued to blaze one trail after another. First, she began managing the vineyard and became a ‘weather junkie’ and studied the vines to calculate the best time for harvest. Then, she took over as President in 1991 juggling everything from motherhood and marketing to decisions about wine production. She also found herself in the unique position of being one of the few female presidents in the industry. And, she championed the ‘greening’ of the business from organic farming methods to becoming the world’s first LEED-certified winery.

The Oregon wine industry has grown from five vineyards in 1970 to 370 in 2007. Confident that the industry and winery are finally successful, Susan Sokol Blosser has passed the winery on to her children, Alex and Alison, in 2008. “The big transfer of power was giving my Radio Shack weather band radio to Alex,” she jokes. “Now he can listen to the hourly updates.” Now, Susan Sokol Blosser can enjoy living life on the vineyard that she cultivated.

Published in Travel Oregon

Joseph, Oregon’s welcome billboard says it all: ‘This little town is heaven to us. Please don’t drive like hell through it.’ Joseph’s little slice of heaven is the kind that could only exist in eastern Oregon: made of equal parts rugged natural beauty courtesy of the Wallowa Mountains, small town charm (the Old Town Café’s hours are ‘6am-2-ish’), rich Nez Perce tribal history and an internationally renowned artist community and bronze foundries. A stroll down the cobblestone walkways of Main Street is a feast for the senses. Life-size bronze sculptures erupt from community-maintained flower boxes animating each street corner with western scenes—a cowboy and his dog, a mother horse and her foal, a Native American warrior on the hunt. It is clear that this is a town that celebrates art, beauty and its heritage.

Artists of many disciplines are clued in to this fact and have set up their homes and studios here. Artists on the Wallowa Valley Studio Tours—which includes Joseph and neighboring towns Enterprise and Wallowa—open their studios to anyone seeking one-of-a-kind pieces, master classes or a dose of inspiration. My self-designed tour includes three studio visits interspersed with a stop by the Chief Joseph Memorial, a tour of the Valley Bronze foundry, a stroll through Main Street art galleries and quick trips to nearby Wallowa Lake State Park to sit by the glacial-lake. Not bad for a 3-day escape from Portland.

Sculptor and master flute-maker Roger McGee is a bayou-boy from Louisiana who has found himself in the far-reaches of northeast Oregon making Native American flutes. His wife, Cherie, is a paper artist. They should be the poster-people for the adage, “Follow your bliss.” Together they work at their home studio, Wind Dancer Studio, with the joy and abandon of kids hard at work playing. Cheri uses upwards of 25 different kinds of scissors to varying effects and layers colored papers to create stunning collage-like prints. Roger uses sculpture and Native American tuning techniques to create one-of-a-kind flutes that can send your spirit soaring. Grammy-nominated artist R. Carlos Nakai and Grammy-award winner Mary Youngblood think so, too, choosing McGee’s custom flutes as their instruments.

Woodworker Charlie Mastro is a man who loves his tools. Correction: his Japanese tools. An afternoon with Mr. Mastro is a journey into the fine art of perfect detail with an education on the history of fine woodworking tools to boot (Japanese tools operate on the ‘pull’ stroke rather than the ‘push’ stroke allowing for more control and precision). You’re guaranteed to leave with a profound appreciation for joinery—how two pieces of wood are joined together—and awe for the beauty of wood finished by the hands of a master craftsman. If you call ahead of time, Mr. Mastro is happy to offer a class in woodworking techniques.

Jim and Anne Shelly’s Fire Works Pottery is a hobbit-like studio nestled into the woods en route to the Hurricane Creek trailhead just a few miles outside of downtown Joseph. It is a necessary stop. The husband and wife team are a bubbling fountain of creativity and a studio tour is a fascinating foray into the Shelley’s endless experimentation with technique. You will find functional pottery and more abstract pieces, as well as a spirited discussion of the merits of form versus function. Make sure to see their homemade kiln.

Stops on the Wallowa Valley Studio Tours are close enough to squeeze in a tour of the internationally-recognized Valley Bronze foundry as well hikes into the first-rate wilderness that surrounds Joseph. While on paper it may look like too-packed of a schedule for a short vacation, but the reality is a mind-opening and soul-nourishing adventure. For residents and visitors alike, Joseph is just plain good for the soul.

P.S. The fantastic hosts at the Bronze Antler B&B make your visit complete!

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